Born    1964, Yonkers, NY

Lives    Poughkeepsie, NY



1988    Columbia University, New York, NY; MFA

1986    Cooper Union, New York, NY; BFA



2012 Eating Symbols, Peter Blum Gallery, New York, NY

2009  The Upper Depths, Peter Blum Gallery, New York, NY


2007  Sunrise at the Bottom of the Ocean, Mario Diacono at Ars Libri, Boston, MA


2006  Alexander Pollazzon Ltd., London


2005  Feature Inc., New York

         The Year of Who Knows When, Greener Pastures Contemporary Art, Toronto


2004  Museo de Arte Carrillo Gil, Mexico City

         M du B, F, H & g, Montreal, Quebec Canada


2003  Feature Inc, New York, NY (Catalogue)


2001  Feature Inc, New York, NY

2000  Museo de las Artes de la Universidad de Guadalajara, Guadalajara, Jalisco, Mexico  

         M du B, F, H, & G Montreal, Quebec, Canada


1998  The A.N. Gallery, Karachi, Pakistan     


1997  Feature Inc, New York NY

         Cokkie Snoei, Rotterdam, The Netherlands     


1996  Cabinet Gallery, London, England


1995  Feature Inc, New York, NY


1994  Feature Inc, New York, NY


1993  Cabinet Gallery, London, England (catalogue)

         Kim Light Gallery, Los Angelas, CA


1991  Feature Inc, New York, NY




2012   Contemporary Surreal Drawings from Rotterdam – Collection Bojmans Van Beuningen, Institute Neellandais, Paris, France

          The Old, The New, The Different,  Kunsthalle Bern , Switzerland (curated by Fabrice Stroun)

          Pothole, Salon 94, New York, NY

          Group Shoe , Gavin Brown NY (curated by Joe Bradley)

          East West Shift to the Middle, Bill Brady/ KC, Kansas City Mo

2010  Stations, Peter Blum Gallery Chelsea, New York, NY

         Townie, Foley Gallery, New York, NY (curated by Carl D'Alvia)

         A visual sympathy for modernism, Franklin Parrasch Gallery, New York, NY


2009  Jr. & Sons, Zach Feuer Gallery, New York, NY (curated by Joe Bradley)

         Pink Panther, Kumukumu Gallery, New York, NY (curated by Amy Smith-Stewart)

         Cave Painting, Gresham’s Ghost, New York, NY (curated by Bob Nickas)

         Huma Bhabha, Jason Fox, Baker Overstreet, Aurel Schmidt, Galleria Paolo Curti / Annamaria Gambuzzi & Co., Milan, Italy (curated by

         Kineko Ivic)

         Unaddressed Circumventions: Folds from a Failed Suicide, Gresham’s Ghost, New York, NY 

         Jason Fox | Alexis Rockman, Motion Parallax, Franklin Parrasch Gallery, New York, NY

         Jason Fox and Huma Bhabha: Atlas Mountains, Andrea Rosen Gallery, New York, NY 

         New Work, Reynolds Gallery, Richmond, Virginia

         Every Revolution is a Roll of the Dice, Paula Cooper Gallery, New York, NY (curated by Bob Nickas)


2008  Political Correct, Blondeau Fine Art Services, Geneva, Switzerland

         That Was Then…This is Now, PS1, New York, NY

         Summer Group Exhibition, Derek Eller Gallery, New York

         peanut gallery, The Journal Gallery Brooklyn, Brooklyn, NY; curated by

         Joe Bradley

         Disarming Matter, Larissa Goldston Gallery, New York, NY; curated by

         Erica Svec & Zachary Willard

         Huma Bhabha, Andre Ethier, Jason Fox, Greener Pastures Contemporary Art,

         Toronto, CA


2007  Kim Light Gallery: Early 90s, Kim Light Gallery, Los Angeles, CA

         Every Revolution is a Roll of the Dice, Ballroom Marfa, TX; curated by

         Bob Nickas

         RAW – Among the Ruins, Marres Center for Contemporary Culture, Maasricht,

         Netherlands; curated by Lisette Smits and Alexis Caillant (accompanying book)

         Shark & Hall- KLAT Featuring Jason Fox, Batiment 59, Artamis, Geneva,  

         Switzerland; curated by KLAT

         Feed Your Head, Heskin Contemporary, New York; curated by Andrew Chesler


         Thoughts, Feature Inc., New Yoerk, NY

          Automatic, Franklin Parrasch Gallery, New York; curated by Chris Churchill


2006  The Inhumane Society, Momenta Art, Brooklyn, NY

         Drawing III (Selected), g-module, Paris, France

         An Ongoing Low-Grade Mystery, Paula Cooper Gallery, New York; curated by Bob Nickas

         Exquisite Corpse—Cadavre Exquis: A game played between Mitchell Algus and

         Bob Nickas, Mitchell Algus Gallery, New York, NY

         Clarissa Dalrymple’s Exhibition of Young Artists to Benefit the Foundation for

         Contemporary Arts, Bortolami Dayan, New York, NY; curated by Clarissa



2005  Drunk vs. Stoned 2, Gavin Brown’s Enterprise, New York, NY; curated by Elysia

         Borowy-Reeder, Gavin Brown, Corinna Durland, Scott Reeder, and Tyson Reeder

         Dual Vision, Wendy Cooper Gallery, Chicago, IL; curated by John McKinnon

         The sun rises in the evening., Feature Inc., New York, NY

         Greater New York 2005, P.S.1 Contemporary Art Center, Long Island City, NY


         Behind the Wall of Sleep, Greener Pastures Contemporary Art, Toronto, CA


2004  Versus: Huma Bhabha and Jason Fox, Arena Mexico, Arte Contemporaneo,

         Guadalajara, Mexico

         The Four-Color Pen Show, Locust Projects, Miami, traveled to; The General

         Store, Milwaukee, WI. Curated by Elysia Borowy and Heather Hubbs.

         Radicales Libres, Central de Arte WTC, Guadalajara, Mexico; curated by Ruben


         Beat the Reaper!, Allston Skirt Gallery, Boston, MA; curated by Joe Bradley

         Drunk vs. Stoned, The General Store in association with Gavin Brown’s

         Enterprise, New York, Nyl curated by Elysia Borowy


2003  The Burnt Orange Hersey, Space 101, Brooklyn, NY; curated by David Hunt

         The Melvins, Anton Kern Gallery, New York, NY; curated by Bob Nickas

         Transnational Monster Leaugue, Derek Eller Gallery, New York, NY; curated by

         Banks Violette


2002  ANP: Guide to Trust No.2, Yeerba Buena Center for the Arts, San Francisco, CA


2001  Dear Dead Person, Momenta Art, Brooklyn, NY; curated by Banks Violette

         Blondies and Brownies, Aktionsforum Praterinsel, Munich, Germany, traveled to; 

         Torch Gallery, Amsterdam, The Netherlands, 2000. Curated by Rafael Von Uslar.


2000  Hairy Forearm’s Self-Referral, Feature Inc., New York, NY


1999  Drawings (two person exhibition with Chris Hammerlein), Feature Inc., New

         York, NY

         Pleasure Dome, Jessica Fredericks Gallery, New York, NY

         X-Thetic, Stefanelli Exhibition Space, New York, NY; curated by Giles Lyon

         Cookie Snow Feature, Cokkie Snoei, Rotterdam, The Netherlands

         Drawings, Feature Inc., New York, NY

         Loaf, Baumgartner Gallery, New York, NY; curated by Steve DiBennedetto

         Xthetic, Angstrom Gallery, Dallas, TX


1998  Sociable Realism, Stephen Friedman Gallery, London, England; curated by Paul


         Spectacular Optical: Contemporary Artists Who Share Sensibilities of David

         Cronenberg, Thread Waxing Space, New York, NY, traveled to; Museum of

         Contemporary Art, North Miami, FL; CU Art Galleries, University of Colorado at

         Boulder, Boulder, CO. Curated by Lia Gangitano (catalogue).

         Paintings, M de B, F, H & G, Montreal, Quebec, Canada

         Ketchup (a project by KLAT), FORDE Espace d’Art Contemporian, Geneva,

         Switzerland; curated in association with Fabrice Stroun

         WOP: Work on/off paper, ANP, Antwerp, Berlgium

         Yoyogaga, Feature Inc., New York, NY


1997  Bring Your Own Walkman, W139, Amsterdam, The Netherlands; curated by Jack


         Gnarleyand, Feature Inc., New York, NY

         Supastore de Lux, Up & Co, New York, NY; curated by Sarah Staton

         Popocultural II, Southhampton Art Gallery, Southhampton, England; curated by

         Cabinet Gallery

         Microcosmic Cryptozoic, HERE, New York, NY; curated by Melissa Zexter


1996  Tekenen/Drawing ’96: Rotterdam on Line, Cokkie Snoei, Rotterdam, The


         Escape Attempts (video screening), Christiana, Denmark, organized by Jack


         The Paranoid Machine, Shoshana Wayne Gallery, Santa Monica, CA: curated by

         Michael Cohen

         Popcultural, South London Gallery, London, England; curated by Cabinet Gallery


1995  It’s Only Rock & Roll, Phoenix Art Museum, Phoenix AZ; curated by David

         Ruben (catalogue)

         Gaze a Gazely Stare, Feature Inc., New York, NY

         Transmissions Gallery, Glasgow, Scotland


1994  Surface de Reparation, FRAC de Bourgogne, Dijon, France; curated by Eric


         Body Language, Tavelli Gallery, Aspen, CO

         Please Don’t Hurt Me!, Cokkie Snoei, Rotterdam, The Netherlands, traveled to;

         Cabinet Gallery, London, England. Curated by Jack Jaeger.

         S.I.B. (Swelling Itching Brain), Satellite Gallery, New York, NY


1993  Arachnosphere, Ranmarine Gallery, Long Island City, NY

         Outside Possibilities, The Rushmore Festival, Woodbury, NY; curated by Bill


         Some Artists I’ve been thinking about that fall under the title of: Wouldn’t it be

         more pluralistic to embrace turmoil and/or vice?, Andrea Rosen Gallery, New

         York, NY

         The Return of the Cadavre Exquis, The Drawing Center, New York, NY, traveled

         to; The Corcoran Gallery of Art, Washington DC, Forum for Contemporary Art,

         St Louis, MO, Fundacion para el Arte Contemporaneo, Mexico City, Mexico,

         Santa Monica Art Museum, Santa Monica, CA. Curated by Ann Philbin and

         Ingrid Schaffner (catalogue).


1992  Seven Rooms/Seven Shows, P.S.1 Museum, Long Island City, NY; curated by

         Kathleen Cullen

         Kim Light Gallery, Los Angeles, CA

         The Red Light Show, Stitching CASCO, Utrecht, The Netherlands; curated by

         Jack Jaeger

         The Mud Club, Winchester Cathedral & Lake Nairobi, Gahlberg Gallery, College

         of DuPage, Glen Ellyn; curated by Hudson (catalogue)


1991  Office Party, Feature Inc., New York, NY

         Louder, Gallery 400, University of Illinois at Chicago, Chicago, IL; curated by

         Tony Tasset and Kathryn Hixon



2009    Schultz, Charlie "As Below, So Above", ARTslant, February 10

           "Galleries Downtown", The New Yorker, February 2

           Rosenberg, Karen "Jason Fox: Upper Depths" The New York Times, February 13

           Saltz, Jerry "The Miracle of Red", New York Magazine, February 2

2006    Lafreniere, Steve. "Interview with Hudson", Index, November/December, 34–41
           Lillington, David, Frog, no. 4 (Autumn/Winter), 46–49
           Do Androids Dream of Electric Sheep? Vellum, no. 4 (Fall/Winter), 32–35
2005    Greater New York 2005, exhibition catalogue, P.S. 1 Contemporary Art Center,

           Long Island City, NY, 156–157  
           Faust, Lily. Review, M/The New York Art World 8, no. 6 (February), 8
           Manning, Sean. New York Press, 9–15 February, 44
           Nusser, Madeline. "The Four-Color Pen Show," Time Out Chicago, 3–10 March
           Reed, John. Time Out New York, 3–9 February, 59
           Saltz, Jerry. Village Voice, 2–8 February, 74
           Vincent, Steven. Art in America, June/July, 179–180
2004    Lehmann, Henry. "Variations On Nature of Reality," Montreal Gazette,

           January 31, Weekend section, 3
           Saltz, Jerry. "Blotto, Meet Buzzed," Village Voice, May 19-25
2003    Cotter, Holland. New York Times, February 28, E45
2001    Cotter, Holland. Review of "Dear Dead Person," New York Times, May 25, E29
           Smith, Roberta. "As Chelsea Expands, a Host of Visions Rush In," New York

           Times, 1 June, E33
1999    Collings, Matthew. It Hurts: New York Art from Warhol to Now, 21 Publishing,

            Ivy, Angus. Review of "WOp," Zingmagazine 10 (Summer), 229–230
1998     Cotter, Holland. Review of "Yoyogaga," New York Times, November 20, E43
            Mahoney, Robert. Review of "Spectacular Optical," Time Out New York, 18

            Reid, Calvin. Review, Art in America, July, 100
            Sciaccaluga, Maurizio. "Chiamatelo Godzilla," Tema Celeste, October–December, 42–51, 98–101
            Smith, Roberta. Review of "Spectacular Optical," New York Times, July 3, E33
1997     Freedman, Carl. Review of "Popocultural II," Frieze, May, 75
1995     "Goings On About Town", New Yorker, November 13, 22
             Greeven, Christina. Review of "The Return of the Cadavre Exquis," Manhattan File, May, 64–69
1994      Cotter, Holland. Review, New York Times, January 14, C29
             Levin, Kim. "S.I.B. (Swelling Itching Brain)," Village Voice, Choices, July 28
             Levin, Kim. Village Voice, Art in Brief, February 8, 72
             Lillington, David. Metropolis M, April, 50
             Lillington, David. Time Out London, January 19, 46
             Saltz, Jerry. "A Year in the Life: Tropic of Painting," Art in America, October,

             Yehya, Naief. "La Caligrafia Criminal de Jason Fox," Rock & Pop, July, 75–76
1993      Cameron, Dan. "The Critical Edge: Arranging Things," Art & Auction, January
             Fox, Marisa. "Rock Kulture," Option, November/December, 83–85
             Holmqvist, Karl. Interview, Pig, no. 6 (Summer)
1992      Bekkering, Peter. "Let's Talk About Sex," Culture Magazine WOAR, October
             Bernardi, David. Flash Art, May/June, 149
             Bonami, Francesco. "U.S. Pain," Flash Art, May/June, 100–102
             Figee, Thea. "Bedrijvige Piemels en Borsten bij CASCO," Utrechts Nieuwsblad, October 1
             Hagemans, Arno. "Riskant Erotiek, Maar Geen Porno in 'The Red Light Show,'"Utrechts Nieuwsblad, September 16
             Hoenjet, Frank. "De Sinaasappelhuid van de Erotiek," Univeriteitsblad Utrechts, September 24
             Marrs, Jennifer. "Simple Style with a Complex Meaning," Courier, 2 October,15, 18
1991      Review of "Feature Creatures," Flash Art, November/December



2006     Soft Targets 1, no. 1, 213–216
2004     "Installation: Selected by Dana Schutz," Modern Painters, Autumn, 66  

2003     "Models and Monsters," Open City 17 (summer), 1, 51–58 Manual, edited by Alexandre Estrela and Scott Harrison, Litographia Amorim,     

            Lisbon, 77, 87 (reproduction of artwork)

1996     "Jason Fox," Documents sur l'Art, Spring, 12 (reproduction of artwork)

             Tijdschrift, no. 3, Salle deBains, Rotterdam, 44–45 (reproduction of artwork)

1995     "Comfortably Numb: Drawings by Jason Fox," Chemical Imbalance, Winter

1994     "Working Conditions: A Forum on Art and Everyday Life by Younger Artists,” Julia Jacquette and Lawrence Lipkin, guest editors, M/E/A/N/I/N/G, no. 16, 12–13

1993      ABeSea, May, 16 (artist's project) L'endroit idéal (Ideal Place), edited by Eric Troncy, L'Ile du Roy, Centre d'Art

             et Jardin, Val due Reuil, France, 66–67 (artist's project) Snake Eyes, no. 3, inside back cover


2002      “The Empire Strikes Back”, ATM Gallery, New York, NY, curated by Canon Hudson and Jason Fox,

              (artists included: Nancy Spero, Richard Artschwager, Martin Kippenberger, Nicole Eisenman,

              Huma Bhabha and others)